After more than a century of silence, the gates of Beijing’s Qianlong Garden have been unlatched. Hidden deep within the Forbidden City, this walled enclave was conceived in the 18th century as a sanctuary for the ageing Emperor Qianlong—a place where he might withdraw from power without entirely relinquishing its trappings.
While the rest of this imperial complex in Beijing became a museum of empire, the garden endured in seclusion, its pavilions sealed, its murals dimmed beneath layers of dust and neglect. Now, after a long and careful restoration, this forgotten fragment of imperial life stands open once again, its stillness touched by footsteps for the first time in generations.
The restoration of the Qianlong Garden in the Forbidden City was an exercise in devotion as much as design—a patient undertaking that stretched over twenty-five years, longer than it took to raise the retreat in the 1770s. In 2000, the World Monuments Fund and Beijing’s Palace Museum collaborated to rescue the long-sealed complex from decline.
According to the World Monuments Fund, restoration work began at Juanqinzhai, the most exquisite of the Qianlong Garden’s pavilions, before extending across the 1.6-hectare site. Craftsmen trained in Qing-era techniques revived fading traditions: silk murals were re-woven, bamboo marquetry reset, carved panels coaxed back to life.
Each beam and cornice was dismantled, catalogued and restored with almost archaeological care. The restoration of Juanqinzhai’s intricate interiors—its silk paintings, jade inlays and bamboo carvings—was completed in 2008, followed by the neighbouring pavilions of Fuwangge, Zhuxiangguan and Yucuixuan in 2016.
Throughout the project, the World Monuments Fund and the Palace Museum combined the precision of modern science with the integrity of traditional craft. Lost techniques were rediscovered, pigments analysed, and structures stabilised to preserve their original beauty.
Completed in time for the Palace Museum’s centenary, the restoration returns over 4,000 square metres of imperial architecture and garden design to serene splendour—a rare harmony of art, nature and history restored to sight.
Stepping into Qianlong Garden is like entering a meticulously preserved world from imperial China. Spread across four courtyards, elaborate rockeries and twenty-seven pavilions, the garden offers flawless interiors and architectural spaces that transport visitors to the 18th century.
At its heart stands Juanqinzhai—the “Studio of Exhaustion from Diligent Service”—a jewel-like pavilion built for the emperor’s leisurely retirement. Its interiors gleam with inlaid bamboo, carved jade and embroidered silk windows, exemplifying Qianlong’s love of artistry and refinement.
Within the private theatre, the garden’s crowning glory is revealed: over 2,700 square feet of trompe-l’œil murals covering walls and ceiling, painted by Giuseppe Castiglione’s assistant, Wang Youxue. These intricate illusions of balconies, drapery and textures hint at early East-West artistic exchange, echoed today in the international collaboration that restored the garden.
The new Interpretation Centre occupies three halls around an open pavilion. Using digital media, scale models and exhibitions, it invites visitors to explore the garden’s architecture, artistry and restoration in vivid, immersive detail—a glimpse into Qianlong’s hidden world.
At the heart of Beijing lies the Forbidden City, the vast imperial palace commissioned by the Yongle Emperor in 1406 and first occupied by the court in 1420. Named for the barrier it placed between the emperor and his subjects, the compound’s 178 acres were the domain of sovereign authority, where access was tightly controlled and even the imperial family moved under strict regulation.
Over five centuries, twenty-four emperors walked its halls, shaping the seat of Chinese power. UNESCO recognised the site in 1987 for its architectural grandeur and historical significance, preserving one of the world’s largest and best-preserved wooden structures.
Constructed by more than one million workers, including over 100,000 skilled craftsmen, the palace follows feng shui principles, aligned along a north-south axis. Today, the Palace Museum holds nearly two million artworks, with thousands being digitised and conserved. Even in exhibition, relics observe a slow rhythm: three years of rest between displays, echoing the measured patience of the empire itself.
What is the Qianlong Garden?
Qianlong Garden is a private imperial retreat within Beijing’s Forbidden City, built in the 18th century for Emperor Qianlong’s retirement and scholarly leisure.
Why is it significant?
The garden is a rare surviving example of Qing dynasty design, with exquisitely preserved pavilions, interiors, murals, jade inlays, and traditional craftsmanship.
What are the structures inside?
The complex spans four courtyards, elaborate rockeries, and twenty-seven pavilions, including the famed Juanqinzhai, the “Studio of Exhaustion from Diligent Service.”
What can visitors experience today?
Visitors can explore the restored pavilions, private theatre murals, and the Interpretation Centre, which uses digital media, models, and exhibitions to reveal the garden’s design, history, and artistry.