The massive mangroves of the Sundarbans are where labyrinthian waterways, shifting islands, and life intersect and exist at the mercy of the tides. At the UNESCO World Heritage delta shared by India and Bangladesh, three rivers—the Ganga, the Brahmaputra, and the Meghna—converge to flow into the Bay of Bengal, shaping the lives of those who dwell amid the breathing pneumatophores. Livelihoods here often depend on the tides, lives lived along the ebb and flow of the water, shaped by its bounty and burden.
As I step off the creaking wooden ferry onto the soft, muddy banks of a village near Gosaba, I am struck by how seamlessly land and water blur. The air is thick with the scent of brackish water and damp earth, and boats, large and small, are tethered like cattle outside every home. “This water gives us our food, our transport, even our gods,” says Nurool, a fisherman, gesturing toward the endless expanse. “But it also takes away. When the storm comes, we can only pray.”
Life in the Sundarbans pulses with the tides. Twice a day, the water alters the landscape in almost supernatural ways. The people here have learned to read these changes like a second language. “We don’t need clocks,” chuckles Kamala, a boatwoman ferrying villagers to the weekly market. “The river tells us when to go and when to stay.”
I witnessed this dependency firsthand on a morning boat ride through the narrow creeks. Fishermen cast their nets with precision, their wooden vessels bobbing gently. Women wash utensils on makeshift bamboo platforms, ever watchful of crocodiles lurking beneath. Children play in the shallows, their laughter mingling with the cries of distant birds and the bubbling mudskippers.
The river is not always benevolent, though. A grizzled honey collector named Harun recounted his narrow escape from a sudden storm. “The sky turned black, and the water swallowed our boat before we knew it. We swam for hours before reaching land. We lost everything,” he shrugs. “That’s life here.”
With conservation and scientific tracking, local guides have found a rhythm to find the big cats. “We don’t attract the same influx of wildlife tourists as on-land parks, so we work even harder to help our guests appreciate the delicate ecosystem and, more importantly, the need to preserve it. With guidance from the Forest Department, the local community united to ban and discourage plastic use, and the efforts were successful. But every winter, outside operators disregard these rules and bring tourists who litter and harm our fragile landscape,” laments Nityananda Choukidar, who has been a forest guide since 2007.
The Sundarbans offer both riches and ruin. For the Mawalis or honey collectors, every foray into the mangroves with nothing but prayers and smoke torches is a gamble. “We go where Bonbibi allows,” says Rafique, referring to the deity who protects them from danger. Crab fishing, another major livelihood, is dominated by women. I meet Ruma and her sister ankle-deep in the water, baskets brimming with blue-shelled treasures. “The river is our employer,” Ruma says, rinsing mud off her hands. “We work in its factory every day.” The pay, however, is meagre, and the risks are high. Saltwater poisoning, infections, and the occasional crocodile attack are all part of the job.
The Sundarbans have long captivated writers and thinkers, but perhaps none more poignantly than Amitav Ghosh.
At the bustling local market in Sajnekhali, I stand awestruck as vendors proudly display their day’s catch—hilsa, bhetki, prawns—while honey jars glisten like liquid gold under the sun. Here, trade is swift and loud, but beneath the routine transactions lie an unspoken reality: each meal, each item sold, has been wrested from nature’s grasp with perseverance and immense luck.
“With eco-tourism, there was hope for an alternate livelihood, but now, with the tourist permits being made free, the villages surrounding the Sundarbans National Park, which used to get 25 per cent of the revenues for development, will be in shambles,” says Choukidar.
The cuisine of the Sundarbans reflects its terrain—simple, unpretentious, and tied to what the river provides. At a small eatery run by an elderly woman named Basanti, I sit down to a meal that speaks of scarcity and creativity.
The first bite of shutki maachh (fermented, dried fish) is intense—salty, pungent, and earthy. “It’s an acquired taste,” Basanti laughs, watching my reaction. But paired with panta bhat (fermented rice soaked overnight), the flavours mellow into something unexpectedly comforting.
Another delicacy, Sundarbans honey, is revered almost as much as enjoyed. “This is no ordinary honey,” boasts a villager selling them. “It’s from the wild mangroves, untouched by human hands.” True enough, the taste is floral, rich, and unlike anything I have ever tried.
Sundarban Safari Eco Resort on Bali Island, where I stayed, also offers delicious homemade meals. The taste of hilsa in mustard gravy I had there will not fade from memory anytime soon.
“Tourism needs a lot more support here because everything is twice as hard in this unique landscape,” says Sanjoy Mondal, the resort's owner. “The limit of 120 boats per day has significantly reduced permit availability, hitting guest arrivals and interest in exploring the forest.”
This is a land where faith intertwines seamlessly with survival. Bonbibi, a revered guardian deity, is worshipped as the protector of all who venture into the forest. Her temples, often makeshift shrines found under ancient trees, are places of prayer and deliverance. During the annual Bonbibi Mela, held in mid-January, villagers gather in colourful celebration. Women sing songs recounting Bonbibi’s triumph over the demon Dakkhin Rai (the tiger), and children perform plays depicting age-old myths. It is a time of joy and one of reaffirming faith.
As night falls, I sit with the boatmen and crew around a dimly lit kerosene lamp, listening to stories passed down through generations. One man swears he saw a half-man, half-fish creature emerge from the river one fateful night. Another speaks of the “ghost tigers” that kill without a trace. Fiction and reality blend effortlessly, creating a world where belief is as vital as breath.
The Sundarbans have long captivated writers and thinkers, but perhaps none more poignantly than Amitav Ghosh in his masterful novel, "The Hungry Tide," which captures the deep, often adversarial relationship between humans and nature.As I glide through a quiet stretch of river, Ghosh’s words echo in my mind: “But here, in the tide country, transformation is the rule of life: rivers stray from week to week, and islands are made and unmade in days. Could it be that the very rhythms of the earth were quickened here so that they unfolded at an accelerated pace?”
Indeed, only hope fuels these riverine communities despite the ever-looming threats, crafting a dance between reverence and resilience. People here do not conquer nature but negotiate with it daily. As I prepare to leave, I ask Nurool if he ever dreams of a life beyond the river. He smiles. “This water raised me. Where else would I go?”