On the morning of October 19, 2025, the city of Paris awoke to a news that it had so far seen in the early films of Alain Delon and Jean-Paul Belmondo. At approximately 9:30 am, the most audacious art crime in decades took place in the most visited art museum in the world when a gang of four masked robbers carried out a meticulously planned robbery. The gang of four arrived in a white utility truck parked discreetly on the museum’s southern side along the Seine River. Using a furniture lift fitted with an extendable ladder, they reached the second-floor balcony that gave them free access to the museum’s Apollon Gallery — home to France’s priceless crown jewels.
It is reported that the robbers were well equipped with angle grinders and other power tools, forcing their entry through a window that was undergoing maintenance work, exploiting an area with reduced surveillance. Once inside, they moved swiftly and purposefully through the gilded hall, smashing two display cases containing the country’s most treasured royal jewellery. Within 7 minutes, they gathered their loot into padded bags, descended back through the same route and vanished in thin air on motorbikes waiting nearby. Eyewitnesses later described the scene as “surgical,” noting that the entire operation, executed with secrecy and dispatch, lasted only a few minutes.
While on the day of the heist the museum was abruptly closed off, the officials later reported that the thieves targeted eight pieces of extraordinary historical significance from the Apollon Gallery’s collection of the French Crown Jewels. Among the stolen goods was a spectacular emerald and diamond necklace once presented by Napoleon Bonaparte to his wife, Empress Marie-Lousie. Also pilfered were a diamond tiara, a pair of sapphire earrings and a necklace that once belonged to Queen Marie-Amélie, as well as jewellery sets linked to Queen Hortense and Empress Joséphine. Each piece represented a chapter in the French Empire’s imperial legacy, with craftsmanship from the finest jewellers of the 18th and 19th centuries.
Studying the site of crime, it was found out that during their escape, the thieves reportedly abandoned the crown of Empress Eugénie, wife of Napoleon III, which had been removed from its case but was found dropped outside the museum. The museum later confirmed that the famous Regent Diamond — a 140-carat gem that once adorned the crowns of several French monarchs — remained untouched. While officials have not disclosed an exact valuation, experts described the stolen items as “priceless,” given their rarity and irreplaceable cultural worth rather than monetary value alone.
As French police and forensic specialists searched the site for evidence after the robbery, the Louvre Museum was closed to the public for the rest of the day. President Emmanuel Macron denounced the theft as "an attack on France's collective history," while the French cultural minister described it as "a devastating blow to national heritage." He promised that "every effort will be made to restore what was taken from the people of France and to bring the perpetrators to justice."
"A major robbery executed with professional precision" is how Interior Minister Laurent Nuñez characterised the crime. Since then, investigators have been looking at CCTV footage, following the robbers around the construction site, and investigating how they used power tools and cars. According to the working theory, in order to evade detection during the early hours of museum operations, the offenders pretended to be maintenance personnel with high-visibility jackets.
One of the Louvre's most opulent corners, the Apollon Gallery was first created in the 17th century for King Louis XIV and is renowned for its gilded ceilings and magnificent displays of royal jewels. Although the Louvre has some of the most advanced security measures in the world, the event has revealed weaknesses connected to ongoing renovations. Cultural specialists have noted that locations undergoing restoration are especially vulnerable to security breaches, which the criminals most likely took advantage of following thorough reconnaissance.
The daylight theft has triggered several immediate reviews of museum security across France. Critics have warned that the event could embolden other art criminal networks targeting national heritage institutions. Right-wing political leader Jordan Bardella called the heist “an unbearable humiliation” for the nation, while cultural historians have likened it to the shock that followed the 1911 theft of the Mona Lisa from the same museum.
The Louvre’s history is not without precedent when it comes to theft. The most notorious case occurred in 1911 when the Mona Lisa was stolen by an Italian handyman, Vincenzo Peruggia, who hid inside the museum overnight and made off with the painting by day. It took two years for the painting to be recovered. In the investigation, it is known that painted Pablo Picasso and poet Guillaume Apollinaire were questioned. More recently, a string of museum thefts across Europe — including the 2019 Dresden Green Vault robbery and a 2025 gold sample theft from the National History Museum in Paris — has revealed a growing sophistication among organised art criminals.
The Louvre robbers, according to authorities, are a professional European network that specialises in heritage goods. French prosecutors have notified Interpol and border authorities and initiated a national and international investigation. Investigators are currently determining if the stolen jewellery would end up on the illicit market or be disassembled and sold in fragments, a strategy frequently employed to hide the provenance of well-known stolen goods.
As France reels from the loss, the Louvre remains under tightened security, with enhanced patrols and restricted public access to certain galleries. Experts in art crime stress that the cultural and emotional impact of the heist far outweighs its financial dimension. The Apollon Gallery, a space symbolising centuries of royal history, stands temporarily dimmed — its empty display cases a reminder of how swiftly history can vanish.
The recovery of the stolen jewels, officials say, could take months or even years. But for the people of France, the crime has already left a lasting scar — a theft not just of gems, but of a fragment of their national pride.
(With inputs from various sources.)
1. When did the Louvre heist take place?
The Louvre robbery occurred on the morning of 19 October 2025, around 9:30 a.m., when four masked thieves carried out a rapid, highly organised operation at the museum’s Apollon Gallery.
2. What items were stolen from the Louvre?
Eight valuable pieces of French crown jewellery were stolen, including an emerald and diamond necklace gifted by Napoleon to his wife, a sapphire necklace, a tiara, earrings, and items linked to Queen Marie-Amélie and Queen Hortense.
3. How did the thieves manage to enter the Louvre?
The thieves accessed the second-floor Apollon Gallery through a section under renovation. They used a furniture lift and power tools, exploiting an area with limited surveillance, and escaped on waiting motorbikes.
4. Was any major artwork like the Mona Lisa stolen?
No, major artworks such as the Mona Lisa and the Regent Diamond remained untouched. The thieves specifically targeted the crown jewels in the Apollon Gallery.
5. Has the Louvre ever been robbed before?
Yes. The Louvre has a history of notable thefts, the most famous being the 1911 theft of the Mona Lisa, which was recovered two years later. However, the 2025 heist is considered its most daring robbery in over a century.
6. What is being done to recover the stolen jewellery?
French prosecutors have opened a full investigation involving Interpol and national security agencies. CCTV footage is being analysed, and international alerts have been issued to track any movement of the stolen jewels on the black market.