

As travel writers, we are trained to arrive lightly and leave no trace. But every once in a while, life reminds us that words can leave behind something sturdier than footprints. Hugh Gantzer’s passing in Mussoorie this week does exactly that. At 94, he leaves behind not just books, bylines, or documentaries, but a way of seeing India that many of us inherited without realising it.
For those who write about places for a living, Hugh was never a distant legend. He was a reference point. A reminder that travel writing could be curious without being loud, critical without being cynical, and affectionate without slipping into postcard fantasy. His death feels less like a headline and more like the quiet closing of a chapter we often return to.
Born in Patna in 1931, Hugh Gantzer’s relationship with India was both inherited and earned. His family’s connection to Mussoorie went back generations—his father once headed the town’s municipal board—and Hugh himself studied at St George’s College before joining the Indian Navy. Rising to the rank of Commander, he brought with him a discipline that would later define his writing life.
Retirement from the Navy did not mean stillness. Instead, it marked the beginning of one of Indian travel journalism’s most influential partnerships. Alongside his wife, Colleen Gantzer, Hugh embarked on a journey that would span more than five decades. Together, they travelled across the length and breadth of the country, documenting places that rarely made it into mainstream narratives—small towns, fragile ecosystems, forgotten heritage, and living cultures.
Their output was formidable: over 30 books, thousands of articles, and 52 travel documentaries produced for Doordarshan. Yet volume was never the point. What set the Gantzers apart was intent. Their writing belonged to a time when travel journalism functioned as reportage rather than promotion. They were not selling destinations; they were explaining them.
In 2025, their contribution was formally recognised with the Padma Shri, awarded at their Mussoorie home, Oak Brook—a fitting setting for two writers who never chased the ceremony.
To read Hugh Gantzer was to encounter restraint as a strength. He did not romanticise India into easy nostalgia, nor did he flatten its complexity into convenient tropes. Whether he was writing about a Himalayan town under environmental stress or a coastal settlement slipping out of memory, his prose carried the confidence of someone who had listened before speaking.
This credibility mattered. Tourism boards, hoteliers, and destination managers knew that a Gantzer story could not be bought with access or hospitality alone. Praise had to be earned. Criticism, when delivered, was precise and fair. In an industry increasingly shaped by optics, Hugh represented an older, sterner ethic—one that insisted facts, mood, and context mattered equally.
The partnership with Colleen was central to this approach. Their collaboration was not a blending of voices but a conversation between sensibilities. Colleen brought editorial clarity and structure; Hugh brought warmth and lived familiarity. Together, they produced work that felt intimate yet meticulously researched.
Their influence extended beyond the page. Younger writers learned—sometimes subconsciously—that longevity in this field came not from chasing trends but from consistency, curiosity, and ethical clarity. That a writer’s first responsibility was not to algorithms, but to readers and places.
For Mussoorie, Hugh Gantzer was more than an author. He was a custodian. Long before sustainability became a buzzword, he was deeply involved in protecting the fragile ecology of the hills. He played a significant role in persuading Prime Minister Indira Gandhi to halt limestone mining in the region, a decision that altered the town’s environmental future. Later, he served on a Supreme Court-appointed committee to help safeguard Mussoorie’s green cover.
His engagement with the town was constant and personal. He was a familiar presence at the Mussoorie Public Library, a generous conversationalist, and someone deeply invested in the cultural and social life of the hills. Historian and writer Ganesh Saili has often spoken of Hugh as a man involved in every aspect of town life—someone whose home was always filled with books, ideas, and conversation.
Tributes following his death reflect the breadth of his influence. Amitabh Kant, former CEO of NITI Aayog, recalled on x.com (formerly Twitter), “They were phenomenal travel writers who highlighted the beauty, charm and aura of India in their unique narrative style… With their demise ends an era of passionate and creative travel writing.” Sanjeev Chopra, former director of the Valley of Words festival, remembered Hugh as “the iconic travel writer of Mussoorie” whose contributions to the town’s library and literary life would endure.
With Colleen’s passing in 2024, Hugh had come to represent a living bridge to an era when travel writing moved at the pace of observation rather than optimisation. His death now closes that bridge.
What remains is a body of work that continues to instruct without preaching. Hugh Gantzer did not set out to define Indian travel writing, but he shaped it profoundly. He showed that writing about a place was, at its core, an act of respect. For those of us who continue to travel, observe, and write, that lesson endures.
1. Who was Hugh Gantzer?
Hugh Gantzer was a Padma Shri awardee, former Indian Navy Commander, and one of India’s most respected travel writers, known for his ethical and reportage-driven approach to travel journalism.
2. When and where did Hugh Gantzer pass away?
Hugh Gantzer passed away on February 2, 2026, at his home in Mussoorie. He was 94 years old.
3. Why is Hugh Gantzer considered influential in Indian travel writing?
He helped shape travel writing as serious reportage, focusing on context, accuracy, and respect for place rather than promotional or aspirational storytelling.
4. What was Hugh Gantzer’s collaboration with Colleen Gantzer known for?
Together, Hugh and Colleen Gantzer produced over 30 books, thousands of articles, and 52 travel documentaries, forming one of India’s most influential travel-writing partnerships.
5. What was Hugh Gantzer’s contribution beyond writing?
Beyond journalism, he played a key role in environmental conservation in Mussoorie, including efforts to stop mining in the region and protect the town’s ecological balance.