Located near the Chota Imambara, Satkhanda stands as a relic of regal aspirations, mirroring a medieval masterpiece frozen in time, evoking a sense of the Tower of Babel. Originally envisioned to be a seven-storey tower, this red-brick structure was halted at four levels due to the untimely demise of King Mohammed Ali Shah in 1840.
The name 'Satkhanda,' signifying 'Seven-Storeyed,' hints at the tower's intended grandeur, yet only four of its levels were completed before construction was abandoned. Despite its incomplete state, the tower stands as a splendid representation of heritage architecture. King Mohammed Ali Shah's influence birthed this edifice, drawing architectural inspiration from the iconic 'The Leaning Tower of Pisa,' one of the wonders of the world.
A blend of Mughal, Greek, and French architectural elements adorns the red-brick structure of Satkhanda. Its design displays the finesse of Mughal and French styles within the arches, while the architectural pediments echo delicate Greek influences. The ground floor, an octagonal masterpiece towering at 20 feet, stands as the tallest floor, with subsequent levels diminishing in width and height from the base floor. The tower rises to approximately 68 feet, featuring exquisite triple-arched windows and a mesmerising arrangement of spiral steps leading to each storey.
The tower's framework and pediments mirror Greek structural design, while the Islamic influence shines through the arches of its gates and windows. Its octagonal ground floor, reaching about 10 feet, dominates as the highest storey, showcasing a reduction in height and breadth with each ascending level. The faceted building, standing at nearly 35 feet, houses numerous triple-arched windows and compartments accessible through spiral steps.
Commissioned by King Mohammed Ali Shah between 1837 and 1842, Satkhanda served as a watchtower, offering panoramic views of the old city of Lucknow and its regal estates. Legend has it that the tower was intended for witnessing the Eid Chand. However, a popular myth surrounding the tower's abrupt halt in construction—attributed to the king's injury while descending the stairs—has been debunked by historians. Despite its unfinished state, locals and tourists appreciate its architectural allure and eagerly await its restoration.
While guards have been appointed for its security and restoration initiatives are underway, the site remains desolate, hosting wandering animals and surrounded by an uneven, littered path. The tower's derelict backside serves as a dumping ground, a disheartening sight contrasting sharply with its historical significance.
The neglected state of the structure has caught the attention of the Hussainabad and Allied Trust, signalling an imminent restoration. The site's dilapidation, despite its historical significance, has garnered concern. As restoration plans take shape, the towering structure remains a symbol of Lucknow's history and architectural grandeur, awaiting recognition and revival as a beacon of cultural heritage.
Satkhanda holds the key to an unsung tale, a testament to Lucknow's rich history and architectural prowess, awaiting restoration to reclaim its rightful place as a beacon of cultural heritage. The custodians are determined to reclaim the tower's lost glory, recognising its potential as a national attraction and preserving its architectural splendour for generations to come.
