In AlUla, time rarely feels linear. Nabataean tombs, centuries-old mudbrick homes and new cultural landmarks exist side by side, shaped by the same sandstone cliffs and desert winds. When the AlUla Arts Festival returns for its fifth edition from January 16 to February 14, 2026, it does so not as a spectacle parachuted into the landscape, but as an increasingly embedded cultural moment in one of Saudi Arabia’s oldest inhabited regions.
What began as an emerging arts programme has, over five years, grown into a month-long convergence of land art, exhibitions, performance and public engagement. This anniversary edition reflects that evolution, with projects that stretch from the vast desert valleys to the streets of AlJadidah Arts District, and from experimental sound and movement to museum-scale exhibitions.
At the heart of the festival is the return of Desert X AlUla, now in its fourth edition. Running from January 16 to February 28, the exhibition brings 10 new site-specific works into the desert, where art must negotiate scale, silence and geological time. Curated around the theme Space Without Measure, inspired by the poetry of Kahlil Gibran, the artworks are dispersed across the terrain like coordinates on an unfolding map, encouraging visitors to move through the land rather than consume it at a glance.
The participating artists span generations and geographies, with Saudi and international voices responding to AlUla’s dramatic topography and long history as a crossroads of cultures. Rather than imposing narratives, the works engage with perception, sound, distance and the act of looking itself, reinforcing Desert X AlUla’s reputation as one of the region’s most ambitious land art platforms.
A more institutional perspective arrives with Arduna, a major exhibition opening on February 1 as part of the pre-opening programme of AlUla’s forthcoming contemporary art museum. Translating to “our land” in Arabic, the exhibition examines humanity’s evolving relationship with nature through more than 80 works drawn from Saudi Arabia, the wider region and international collections. Co-curated with Centre Pompidou, Arduna places works from the Royal Commission for AlUla alongside modern masters such as Kandinsky and Picasso, positioning AlUla within a global art-historical conversation while remaining anchored to questions of land, memory and stewardship.
Beyond exhibitions, the festival spills into AlJadidah Arts District, where public spaces become informal galleries and gathering points. Newly commissioned artworks line the Incense Road and Gathering Square, while music, cinema and performance activate the neighbourhood throughout the month.
The AlUla Music Hub brings a rotating programme of Arabic, jazz, fusion and vocal performances, while Cinema AlJadidah screens art-focused documentaries and films under the open sky. ATHR Gallery hosts an exhibition by Saudi contemporary artist Sara Abdu, and at Madrasat Addeera, visitors can observe and participate in design programmes that reinterpret traditional crafts through contemporary practice.
Design also takes centre stage at Design Space AlUla, where the AlUla Design Exhibition showcases work developed through artist residencies and the AlUla Design Award. These projects reflect a slower, research-driven approach to design, shaped by immersion in local materials, landscapes and techniques. Nearby, Design Stores present objects developed through past design programmes, reinforcing the festival’s emphasis on process as much as outcome.
Some of the festival’s most compelling moments unfold through performance and archival work. At Villa Hegra, photography and film exhibitions trace AlUla’s visual history, from early 20th-century images to contemporary cinematic interpretations of the desert. The site also hosts workshops and collaborative sessions that place visiting artists in dialogue with Saudi creatives.
One of the opening highlights is 'Vertigo', a contemporary performance staged at Wadi AlFann, featuring highliner Nathan Paulin alongside performers from the AlUla community. Suspended above the desert, the work underscores the festival’s ongoing interest in physical risk, scale and collective presence.
Further contributions come from the British Council’s 'Reflections' programme, which supports installations exploring sustainability, oral histories and sound. Together, these projects foreground storytelling as a living practice, rooted in both memory and experimentation.
Elsewhere, Daimumah Farm offers a quieter counterpoint. Through workshops, planting sessions and craft activities, the site invites visitors to slow down and engage with AlUla’s agricultural and ecological rhythms, reminding audiences that culture here is inseparable from land and care.
Five years into its journey, AlUla Arts Festival has moved beyond the language of launch and arrival. Its fifth edition suggests a maturing ecosystem, one that balances global collaboration with local participation, and spectacle with sustained engagement. In a place where history is etched into stone, the festival continues to ask what contemporary culture can add to the landscape without erasing what came before.
1. When is the AlUla Arts Festival 2026 held?
The festival runs from January 16 to February 14, 2026, across AlUla’s desert landscapes and city spaces.
2. What are the festival’s main attractions?
Highlights include Desert X site-specific land art, the Arduna exhibition, performances, music, film screenings, design workshops, and public installations.
3. Where in AlUla does the festival take place?
The festival spans the desert valleys, AlJadidah Arts District, Incense Road, Gathering Square, Villa Hegra, Daimumah Farm, and museum venues like ATHR Gallery.
4. Who participates in the festival?
Saudi and international artists, performers, designers, and community members contribute through art, workshops, performances, and collaborative projects.
5. What makes AlUla Arts Festival unique?
It integrates contemporary creativity into AlUla’s historical and natural landscapes, balancing global perspectives with local culture, ecology, and heritage preservation.