

Under the gaze of the Great Pyramid of Khufu and the Sphinx, Egypt has opened the doors to one of the most ambitious cultural projects of the century, the Grand Egyptian Museum (GEM). Two decades in the making and costing around $1.2 billion, the vast complex, situated on the edge of the Giza Plateau, is being hailed as the world’s largest archaeological museum, dedicated entirely to Egypt’s ancient civilisation.
November 1 night’s inauguration unfolded in fittingly dramatic style. A pharaonic-themed light and drone show illuminated the pyramids, with visuals of ancient gods and hieroglyphs dancing in the sky. Egyptian President Abdel Fattah el-Sissi hosted leaders, royals, and dignitaries from more than 70 countries in a ceremony that drew comparisons to the 1869 inauguration of the Suez Canal. The opening marked the culmination of a 30-year vision to create a world-class museum near one of the Seven Wonders of the Ancient World.
The centrepiece of the new museum is the entire collection from the tomb of King Tutankhamun, displayed together for the first time since its discovery by Howard Carter in 1922. More than 5,500 objects, from the boy king’s gold mask and sarcophagi to his chariots, beds, jewellery, and golden throne, are now showcased in two purpose-built galleries designed to recreate the sense of entering the pharaoh’s tomb.
In total, GEM houses around 100,000 artifacts spanning seven millennia of history, from Egypt’s prehistoric and pharaonic eras to the Greek and Roman periods. This includes monumental statues, intricately painted tomb walls, and rare papyrus scrolls. Among its highlights are an 11-metre-high statue of Ramses II, moved from central Cairo in 2006, and a 16-metre-long suspended obelisk dedicated to the same pharaoh. The museum also displays the 4,500-year-old Khufu solar boat, one of the oldest and best-preserved vessels ever excavated, once buried near the Great Pyramid to carry the king into the afterlife.
Visitors ascend a grand staircase lined with statues of ancient kings and queens, leading to panoramic windows that frame a perfect view of the Great Pyramids of Giza. The entire site spans nearly 5,00,000 square meters, featuring an alabaster façade carved with geometric motifs and inscribed with hieroglyphs.
GEM’s collection of 50,000 artefacts on display represents only a portion of Egypt’s archaeological wealth, with thousands more preserved in storage and laboratories for future exhibitions. Its state-of-the-art conservation centre is already one of the largest in the world, where Egyptian conservators have meticulously restored Tutankhamun’s leather armour, textiles, and other delicate relics.
Construction of the museum began in 2005 under former President Hosni Mubarak, but was delayed for years by the 2011 Arab Spring, economic downturns, the Covid-19 pandemic, and regional instability. Originally proposed in 1992, the project has now taken nearly as long to complete as the Great Pyramid itself.
The Grand Egyptian Museum replaces Cairo’s Egyptian Museum in Tahrir Square, which opened in 1902 and was often criticised for overcrowding and outdated displays. GEM’s contemporary design (combining glass, stone, and light-filled open spaces) allows artifacts to be viewed in context and with modern interpretation. Its vast galleries are arranged by era and theme, tracing the story of Egypt’s rise from the Nile Valley to its encounters with the Greco-Roman world.
Beyond being a cultural landmark, GEM is expected to become a powerful driver of tourism and the economy. Egypt’s tourism industry, which contributes around 8 per cent of the country's GDP, welcomed 15.7 million visitors in 2024. The government now projects 18 million visitors in 2025, with a long-term target of 30 million annual tourists by 2032. Officials expect the museum alone to attract 5–8 million visitors annually, ranking it among the world’s top cultural destinations alongside the Louvre and the British Museum.
To support this, the area around Giza has undergone a massive transformation. New highways, an expanded metro network, and the recently opened Sphinx International Airport, located 40 minutes from the site, are expected to ease access for domestic and international tourists. The plateau itself has been redeveloped with visitor walkways, electric shuttles, and landscaped viewing areas that connect the pyramids, the Sphinx, and the museum.
The museum’s opening has reignited calls by prominent Egyptian archaeologists for the return of several key antiquities held abroad, including the Rosetta Stone from the British Museum, the Dendera Zodiac from the Louvre, and the Bust of Nefertiti from Berlin’s Neues Museum. Leading Egyptologists say the successful completion of GEM strengthens Egypt’s case for repatriation, showcasing its ability to conserve, curate, and display its own heritage at global standards.
For many Egyptians, the Grand Egyptian Museum is more than a repository of the past; it is a statement of national pride and cultural sovereignty. Designed to serve as both a research centre and a visitor experience, GEM combines ancient heritage with new technologies such as virtual reality exhibits and interactive storytelling.